Le cinéma, la peur, l’horreur: les mécanismes de l’identification
DOI :
https://doi.org/10.6092/issn.1974-4935/2544Mots-clés :
Fear, Cinema, Identification, Horror,Résumé
The essay explores the questions of fear, fantastic and horror in cinema, concentrating on the problems of “normality”, perception, representation and the viewer’s different forms of identification. The “The Silence of the Lambs” is taken as a significant case-study.Téléchargements
Publié-e
2008-06-30
Comment citer
Cremonini, G. (2008). Le cinéma, la peur, l’horreur: les mécanismes de l’identification. Governare La Paura. Journal of Interdisciplinary Studies, 1(1). https://doi.org/10.6092/issn.1974-4935/2544
Numéro
Rubrique
Essays and Notes
Licence
© Giorgio Cremonini 2008
This journal is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.
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